Autumn and creativity

It may sound weird, but I LOVE autumn, was born in the autumn, and even the thought of autumn brings out the best of my creativity.
During this super hot summer, I found myself longing for shorter days, cool winds and the rustle of leaves in the first rain.
The result - a unique tribal and bohemian autumn collection, bold, rustic and impressive.
Check it out :)

Copper and Turquoise cuff bracelet 

Big hoop necklace

Raw linen,copper and Jade tassel necklace

Raw Amethyst crystal necklace 

Red coral necklace

And a touch of fresh colors:

Hollow dangle earrings

Enjoy :)

Summer colors

To tell the truth, summer is my least favorite season. The central coast of Israel tends to be very humid during the summer. Steam room comes to mind.
But nothing - even summer - will get in my way.
Looking through my studio for ideas, I found a refreshing box: colored gemstones in vivid colors.
While watching my Coursera lectures, I knitted colorful wire necklaces and flowers to use with those gems.

Just finished uploading them to my shop.
Here's my new summer collection, TA DA:

coral and hematite tribal neckace

orange howlite necklace

magenta jade and turquoise howlite earrings

Are they not gorgeous???

Inspired By Nature

I have shared with you my artistic inspiration in the pat, and also how nature itself provides such inspiration.

My new collection too includes items that were inspired by nature. Such is this new necklace:

red and chartreuse wire crochet necklace

The source of inspiration this time was Physalis Alkekengi, also known as "Chinese Lantern", "Japanese Lantern" and many other names:

Physalia Alkenkegi

The necklace - as well as it's matching earrings - represnt all of the advantages of my wire crochet jewelry: they can be colorful but transparent, voluminous but light weight.
And most of all: fun to make :)

Textures for Dad

I love textures.
I love to feel them, and also to smell and taste almost everything (mainly rocks on field trips), but that's beside the point.
I love to use them in my work - paintings and jewelry alike, and one of the main reasons is my Dad.

pod3, detail

Dad was a very talented and skillful craftsman. As a child I loved to watch him work, so I became his diligent apprentice for decades. Much of what I learned from him is reflected in my art.

As I grew up, we began to dream on a joint studio, where we could work together after his retirement. Sadly, he lost his eyesight, so I began using textures in my work for him to"see" with his fingertips.

texture in jewelry

I lost Dad last week.
He, who was my most strict critic, was also one of the biggest fans of my work.
I will always cherish him, not just in my heart, but also through the design process of each painting and jewelry piece, and in my longing to "show" them to him.

Dad

In The Beginning

How does one become an artist?

Is it genetic? Acquired? Chance?

I can track back my first artistic thoughts to kindergarten, at 5 years old.

One was when my friend, Orit, sketched a figure and drew to many contour lines for the hands. When painting inside she realized making a mistake and fixed it, but I was disappointed. I really liked those extra lines, and thought it was wonderful and imaginative.

Another was being fed up with threading plastic beads, and looking for other options. The teacher's assistant took some olive kernels and showed me how to grind their tips on a stone to make holes. I coated the kernels with gouache paint and created my first necklace.

I come from a family of craftsmen and artists, so becoming a creative artist seemed natural for me. However, support for my young talent came from other places, mainly my art teacher at school. When I expressed my wish to learn art in high school, my father replied that it's better to learn a trade, and sent me to learn bookkeeping.

Me, bookkepping???

I'm still lost in my bank statements!!!

Soon he realized his mistake, and became a source of support. Art became a built-in part of my routine.

fine silver pendant - metal clay, sterling silver and fluorite necklace

StudioD began its first steps about 30 years ago, when I quit my Architecture studies. At first it seemed to be a good substitute for art, but soon I found myself longing to form and shape materials with my bare hands. I began designing jewelry made of leftover modeling cardboard, and can sincerely say that they were the best outcome of my studies.

mixed media on canvas - acrylic and modeling cardboard

Obstacles and Creativity

I often hear fellow artists complain about writers' blocks, lack of muse and other obstacles in their path to making art. It's given, since creativity isn't always fluent and can be episodical. Moreover, most of our art is composed in our subconscious, and only when it surfaces – art is being created. I compare these phases to pregnancy. Other obstacles can be lack of time, of support, of financial ability and of opportunity. In the past few years I've encountered another: physical disability.

About twelve years ago, in the midst of a creative period, I developed Chronic Fatigue Syndrome (CFS) – AKA Myalgic Encephalomyelitis (ME), Post Viral Fatigue Syndrome (PVFS), Chronic Fatigue Immune Dysfunction Syndrome (CFIDS) and other names. CFS is a neurological disorder characterized by exhaustion, cognitive fog, widespread pain and other symptoms.

In short, painting and jewelry making became increasingly very difficult, even impossible at times. After the initial mourning I knew I had to adjust, and gradually learned how to glide on the wavy nature of the syndrome. Now there are "good art days" which allow me to saw and hammer metal, and "medium art days" which I use for more delicate and less physical work. Unfortunately there are also "no art days", or "couch potato days".

Creativity means not only making art, but finding solutions, and I found two.

Ever since CFS became a fact of life, I wished there was an easy way to continue my work with silver. It took some years, and then I found Metal Clay for my "medium art days".

 Metal Clay pendant - Fine Silver and Carnelian

Working with Metal Clay is fun, but I still had to do it in the studio. At the time I began knitting wire necklaces for my Metal Clay pendants. When a "no art day" happened in the middle of a necklace, I decided to take it to the living room, to complete it in front of the tube. Since "no art day"s can stretch to weeks – this decision yielded a new and colorful line of jewelry.

Lacy Lariat Necklace and Belt

It may sound weird, but I thank CFS for expanding my choices.